ALISA- Lola Heath
EARTH MUM- Miss Barrett
BESTIE- Karan Juneja
KIDNAPPER- Jamie Ryan
GLISIAN KING- Ray Heath
GLISIAN QUEEN- Jenny Heath
EXTRAS-
Jamie Ryan
Ethan Joseph
Otmane ElGhailani
Owen Francis
Savannah Charles
Dolly DeSouza
Kacey Jo Wagon Horrix
Igor Wojtera
Kacey Jo Wagon Horrix
Igor Wojtera
CAMERAMAN- Octavian Frasina
EDITOR- Lola Heath
SCRIPTWRITER- Lola Heath
DIRECTOR- Lola Heath
PRODUCER- Lola Heath
SHOTLIST-
Earth mum scene:
Longshot is used to show the whole scene of Alisa and her mum sitting together in a dark room.
Close up is used when Alisa realizes the truth.
Medium close up is used to show both characters during the explanation.
Low angle shot is used when Alisa kicks over the chair.
Medium shot of both characters during explanation showing tension.
Power scene-
Longshot to show Alisa being followed.
big close up to show Alisas eyes
panned unusual angle to show unconscious man
medium shot to show confused Alisa
Bestie scene-
Close up of the phone to show the conversation
Establishing shot to show where the fight is gonna happen
medium close up to show both characters faces
long shot of both characters running
Gliese scene-
long shot to show glisian queen tending to nature
establishing shot to see glieses final moments
Mise-En-Scene
Costume- I intend to have the glisian queen wearing an ethereal type dress and the glisian king shall have tattoos that symbolize the stories of the long-lived planet this should convey the differences between humans and glisians. I also intend to have the kidnapper to wear dark clothes so as to show the evilness of his character.
Props- I created a makeshift baby sized space ship out of an old chicken feeder and part of an old car engine along with some tubes to make it looks as though all of the new technology has already been destroyed and the last of the technology on the planet was old and run down so they were at their last resorts.
Setting- I will film the glisian scene in the middle of an old field that has been burned down to create an effect of destruction and dismay. I will film the kidnapper scene in a forest pathway possibly near the canal to show that it is a very familiar place to many people who watch the show and will give a sense of familiarity.
Lighting- During editing, I intend to play around with the lighting making the glisian scene darker along with the kidnapper scene and I will make the explanation scene lighter along with the best friend scene to display the contrast between the emotions of the scenes.
SHOTLIST-
Earth mum scene:
Longshot is used to show the whole scene of Alisa and her mum sitting together in a dark room.
Close up is used when Alisa realizes the truth.
Medium close up is used to show both characters during the explanation.
Low angle shot is used when Alisa kicks over the chair.
Medium shot of both characters during explanation showing tension.
Power scene-
Longshot to show Alisa being followed.
big close up to show Alisas eyes
panned unusual angle to show unconscious man
medium shot to show confused Alisa
Bestie scene-
Close up of the phone to show the conversation
Establishing shot to show where the fight is gonna happen
medium close up to show both characters faces
long shot of both characters running
Gliese scene-
long shot to show glisian queen tending to nature
establishing shot to see glieses final moments
Mise-En-Scene
Costume- I intend to have the glisian queen wearing an ethereal type dress and the glisian king shall have tattoos that symbolize the stories of the long-lived planet this should convey the differences between humans and glisians. I also intend to have the kidnapper to wear dark clothes so as to show the evilness of his character.
Props- I created a makeshift baby sized space ship out of an old chicken feeder and part of an old car engine along with some tubes to make it looks as though all of the new technology has already been destroyed and the last of the technology on the planet was old and run down so they were at their last resorts.
Setting- I will film the glisian scene in the middle of an old field that has been burned down to create an effect of destruction and dismay. I will film the kidnapper scene in a forest pathway possibly near the canal to show that it is a very familiar place to many people who watch the show and will give a sense of familiarity.
Lighting- During editing, I intend to play around with the lighting making the glisian scene darker along with the kidnapper scene and I will make the explanation scene lighter along with the best friend scene to display the contrast between the emotions of the scenes.
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